Audio Player (Below)

Odyssey Tracklist:
1. Just Let Go
2. Cloud
3. Never Win
4. A Kick In The Teeth
5. Everything To Gain
6. We Need A War
7. Get Confused
8. Wednesday
9. Happy
10. Ritz 107
11. All We Are
12. O

Bonus Tracks:
13. Never Win (Mirwais Alternate Version) (Jap Only)
14. Just Let Go (Thin White Duke Remix)
15. Down Up featuring Lizzy Yoder
Mixes and Rare
16. Just Let Go (M.A.N.D.Y Remix)
17. All We Are (Robjn Radio Mix)
18. Happy (Radio Edit)
19. All We Are (Robjn's Ohh La La Is All We Are Goldfrapp Mashup)
20. Cloud (Radio Edit)
21. All We Are (Reprise)
22. Happy (Demo)
23. Never Win (Kong Mash)
24. Tristan (Demo)
25. Sunset Work (Demo)
26. Nico War (Demo)
27. Get Confused (Live at the Paradiso in Amsterdam)
28. Turn On (Demo)
29. Kick In The Teeth (Moral's Radio Remix)

30. A Kick In The Teeth (Manhattan Clique Remix)
31. A Kick In The Teeth (RocaSound WorldWide Remix)
32. A Kick In The Teeth (Tiefschwarz Remix)
33. A Kick In The Teeth (Morel Dub Mix)
34. A Kick In The Teeth (GoodAndEvil Mix)
35. Just Let Go (Tommie Sunhine Remix)
36. Never Win (Soft Pink Truth Remix)
37. Never Win (Blackstrobe Mix)
38. We Need A War (DJ Hell & Smallboy Remix)
39. Never Win (TV On The Roof/Hoof Mix)
40. Never Win (Instrumental)
41. Just Let Go (Instrumental)
42. Just Let Go (Alt/Rock Mix)
43. All We Are (Instrumental)
44. All We Are (MH Knock Off Acapella Remix)
45. All We Are (MH Knock Off Acapella Dub)
46. All We Are (Gods Cosmos Mix)
















 

Videos:
“Never Win” (Mirwais Remix)

Remix video edit by Robjn Barker
Directed by Warren Fischer and Jon Kane

QuickTime: 150k

“Just Let Go”
Directed by Jon Kane
QuickTime: 100k | 300k | 750k | 1500k
Windows Media: 56k | 100k | 300k
Real: 56k | 100k | 300k

Never Win
Directed by Warren Fischer and Jon Kane
QuickTime: 100k | 300k | 750k
Windows Media: 100k | 300k
Real: 100k | 300k

Promo Trip Feb. '05, London
QuickTime: 100k | 300k | 750k
Windows Media: 100k | 300k
Real: 100k | 300k

Promo Trip Feb. '05, Paris
QuickTime: 100k | 300k | 750k
Windows Media: 100k | 300k
Real: 100k | 300k

 

 

Album Credits:

Produced by:

Fischerspooner
Mirwais Ahmadzai
Tony Hoffer
Nicolas Vernhes.

Additional Production by:
Mirwais Ahmadzai
Victor Van Vugt
Adam Peters

Mixed by:
Mark ’Spike‘ Stent at Olympic Studios,
Stephen Fitzmaurice at The Pierce Rooms,
David Treahearn at Olympic Studios
Warren Fischer
Kyle Johnson
Michael Patterson

Vocals and Lyrics by:
Casey Spooner
Susan Sontag
David Byrne
Mira Billotte
Warren Fischer
John Wolfington

Just Let Go : Mixes
Album Version
Alternative Remix / Version
Instrumental
Joakim Remix
Peter Black Remix
Radio Edit
Thin White Duke Remix
Thin White Duke Remix Radio Edit
Tommie Sunshine 'Brooklyn Fire Retouch'
M.A.N.D.Y. Mix

Never Win: Mixes
Album Version
Benny Bennassi Radio Edit
Benny Bennassi Mix
Benny Bennassi Dub
Black Strobe Mix
Ferry Corsten Remix
Instrumental
Mirwais Alternate Mix

Radio Edit
Random-K-Re-Edit [Bootleg]
Kong [Bootleg]
Soft Pink Truth Mix
TV On the Radio on the Hoof Mix /
_David Sitek Remix

Down Up Mixes:
Single Mix
Album Mix featuring Lizzy Yoder

Kick in the Teeth Remixes:
Album Edit
Goodandevil
Morel's Pink Noise Vocal
Morel's Pink Noise Dub
Rocasound Vocal Mix
DJ Renegade Mix
Chris Joss Mix
Ulysses Mix
The Specimen Mix
Manhattan Cliche Remix

All We Are Mixes:
Album Version
Reprise
Robjn's Radio Edit
Robjn's Ohh La La Is All We Are Goldfrapp Mashup
All We Are Is A Matthew Herbert Knock Off Mix
Instrumental
Rainforest Mix
Rain + Acapella Mix

We Need A War Mixes:
Album Edit
DJ Hell & Smallboy Remix

 

Just Let Go : Single
1. Just Let Go (Radio Edit)
2. Down Up
3. Just Let Go (Thin White Duke Remix)
4. Just Let Go (Joakim Remix)
5. Just Let Go (Tommie Sunshine 'Brooklyn Fire Retouch')
Includes "Just Let Go" video + poster


Then, inevitably, you get pissed off at your friends. They’re in your space, but you don’t throw them out. You make music out of that anxiety, together.

Now it’s feeling like the real world. Now the stylish stuff that breaks your heart, the elegant confessions, the whispers of techno-deluxe, start feeling less like style and more like your actual feelings. And then there’s a shape to everything, an old time record album shape, and you’re picking up gold dust from the floor and sowing it through the music like seeds along a cotton row.

And it starts to rock—as everything worth doing does…And your room gets bigger, more spacious and gracious, like a ballroom on Mars, where we can dance, if we wish, with our lizard leather boots on.

Dave Hickey, Las Vegas 2005

No Choice But To Build It

You could not have known this before. You needed to see it done to redo it. It’s like when you’re a kid and you think your room is perfect—a little messy maybe, but generally, perfect. Your favorite stuff is all around you, within arms reach of the bed, and you’re happy with that, and your friends come over, and they think your room is perfect, too. They look around and say, “Cool room, dude,” or just “Totally…” But now, after all the trouble of getting your room right, you’re seeing it through your friend’s eyes. You see yourself through your friend’s eyes, and you have this Peggy Lee moment. “Is that all there is?” you think, “Is it all just synthesizer and nail polish?” Because you know that things are missing. You thought it was perfect but now you see the imperfections. You thought it was full, but where’s Paris? Where’s that gauzy Pink Floyd thing you love so much? Or the noisy cymbal from the Stooges? Or that guitar thing from Diamond Dogs? Or the Beatle’s tricks and the Simon and Garfunkel harmonies? Or My Bloody Valentine, dammit, and what about the whole, freaking sonic map of rock and roll? Where’s that?

So before you know it, a massive remodel is under weigh. You’re moving things in as fast as you can, filling the gaps, and all too soon you’re drowning in desire, up to your ears in all the things you love and want to do. And you know that you should throw things out, but you know that you won’t, so, finally, you face it. You have a roomful of magic and it’s a mess. So you start slow. You take this little guitar lick, lay it on a bass line and put a little bit of your heart on top of it. That will do for now. Then there’s this word and this noise that go together. You put them together and lay them on the floor. Then you get depressed, overwhelmed. There are still a million things around, and you want to start throwing things away but you don’t. You call in your friends and they bring even more stuff with them—hooks, shticks, guitars and grievances—but that works fine. Susan, for instance, is really pissed about the war. “The war?” you think, but musical things start sticking to the idea of being pissed off about the war, because you can’t have rock and roll and not be just a little pissed off.


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

Photos