#1
Reviewed by Other Music// American Gigolo
It really comes as no surprise that the jet-set turntable technician
DJ Hell would take an interest in the New York performance group Fischerspooner,
whose first self-released record has been immensely popular (even cult-gathering!)
since its release in May of 2000. The shiny new vinyl and CD version
on Gigolo grafts their video and a digipak onto the original. Karen
Fischer and Casey Spooner are but two of the troupe of dancers, DJs
(including NY electro-fiend John Selway), and even an attendant. Their
(anti) aesthetic manifesto concludes: "Fischerspooner is a reflective
portrait of entertainment itself: admiring in public what is considered
frivolous in private."
Their hyper self-reflexivity goes so deep into infotainment kitsch as
to reveal the ghostly photographic negative that lies beneath. What
can be seen there is that Fischerspooner predict and perform a listener's
/ viewer's cynicism in advance, freeing the audience up to plunge into
unconstrained pleasure. And the pleasure is intense. Electro-funk never
sounded so clean, so cold, so warm and so hard. This is music that will
always be both ahead and behind its time. The term "classical"
is normally reserved for 19th century European composers. But it is
records such as Fischerspooner's debut album that will come to inherit
that term.
Fischerspooner
is an ongoing project about entertainment and spectacle that began as
a two-person collective.
Their electronically driven songs are served up in an assault of pop
theatrics. Theyre the subject of magazine features and gossip
items around the world.
Theyve
remixed and collaborated with Kylie Minogue, done a command performance
for David Bowie, and have worked with the world's top photographers,
including Karl Lagerfeld, Terry Richardson, Jurgen Teller, and Stefane
Sednaoui.
Their
notorious performances are star-studded, elaborately choreographed spectacles
with wardrobe pieces by Jeremy Scott, Hedi Slimane and other top designers.